Need some more help?

On Video Games as Social Commentary

AP Language

August 19th, 2009

Themes: ,

Comments: {2}

A former student sent this link to me yesterday. Thoughts? We’ll talk about it tomorrow.

Bonus: Click through the NYCLU complaint link for argument in a pure form; no need for emotional appeals in a legal complaint.

By Popular Demand: Links!

AP Language

August 17th, 2009

Themes: ,

Comments: {0}

“Stallings wants us to find articles? From where?”

Anywhere. But, I know that’s a big place, so:

In no particular order. You may now be asking, “How do I find the time to read all of this? I found three that I like, but I can’t go to all of these sites just to find an article.”

My philosophical response: “That’s not the point. While it is important that you are able to find and analyze arguments, it is even more important that you begin a habit of consuming thoughts and opinions about the world around you. If you don’t use the skills you learn, you’re just going through the motions.”

My practical response: “Use an RSS reader, like Google Reader. You can subscribe to the sites you like (even My Life is Average, if you must), and even take a peek at what I’ve been reading. Check out the Feeds page for more information.”

 

And no, I won’t stop talking about RSS readers until all have signed up. :)

Video Games for the Uninitiated

British Literature, Internet Goodness

February 17th, 2009

Themes: ,

Comments: {1}

These links have been bouncing around my bookmark folders for a while, so I thought I’d share.

Logs vs Legos

AP Language

February 16th, 2009

Themes: , , ,

Comments: {5}

(credit to LD for the title)

We’re gathering resources for our next synthesis question:

Read the following sources carefully.  Then write an essay in which you develop a position on whether Lincoln Logs or Legos better promote creativity in children.  Synthesize at least three of the sources for support.

Post your info on Lincoln Logs or Legos below.  Remember, this is not an assignment for credit, but simply a chance for us to create our own question.

Our Foray into Nonfiction

British Literature, Internet Goodness

December 30th, 2008

Themes: , , , ,

Comments: {2}

English classes are interesting.  We teachers often push aside works of nonfiction in favor of fiction’s many incarnations while asking you to produce short works of nonfiction in response (think essay, book report, research paper…).  Think about it: if all that you consume is fiction, what do you predict your writing will look like?  Exactly.

Please to not misinterpret me: Fiction is vitally important to our understanding of the world.  (Remember our discussions on the magnifying glass, the different lenses, and the fact that most communication is metaphorical.)  That said, my goal with this section is to remove the pressure of fictional analysis while focusing on three vital skills: communication, collaboration, and connection.  You will communicate your ideas and knowledge; collaborate with your peers; and make connections between what you know, what others know, your books, and the outside world.

Here’s how we’ll do it:

Each of you has chosen a work of nonfiction from this list (if you don’t have your copy yet, email me now.  I’ll buy it for you and meet you at Starbucks if I have to.):

These books cover a wide range of topics (group intelligence over singular genius, the impact of complex pop culture, the resilience of non-hierarchical organizations, how ideas/products become popular, and the impact of relationships and the media on young women), but they all share one thing on common: how we are impacted by the world/people around us.

Each day you may be asked to teach the class about what you’ve read so far.  Others who are reading the same work may add to your lecture if they want to.  This will be uncomfortable for you at first, but remember, we all want to learn about each of the books, but can’t read them all.  Use your reading journal or notes to help you keep track of your thoughts if you’d like.

If you are not teaching your book, take notes in your journal.  Write down any lightbulb connections you make between the book and yours, any questions you have, or anything you might want to study further.  This will allow you to make sure you understand what is being presented and solidify the connections you make between your book and others’.

After a book has been taught, I will ask the other readers of the book about their thoughts on it so far, and any connections they’ve come across.  Before the break, I asked each of you to bring one connection between your book and the outside world to class on Monday.  If you’ve found one, keep looking!  We can never make too many connections, and I’ll be asking for them often.

We will then open the floor to those who have not read the book but have questions or connections to contribute to the class’s understanding.

This is not a series of presentations.  This is not a book report.  I will not ask you to stand in front of the class.  This is a discussion amongst peers about how parts of the world works.  The steps above will only be in place for the first few days.  After that, we should be in the habit of explaining what we’ve read, sharing ideas and connections, and building on one another’s ideas.  The length of this assignment is dependent upon how deep we want to delve into the topics.  We begin work on the final project on day one, so please come prepared.  What form the final project takes is dependent upon where our discussions take us.

Grades.  Because I have to.  Best advice: have fun, talk to others about what they’re reading, share what you know, make connections beyond the classroom.

If you’re keeping track, here’s the breakdown:

A list of resources to get you started: